E. B. Sledge (
withtheoldbreed) wrote2015-05-23 07:53 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
d-day + 187 through 193 ✯ spam
[Open Spam, throughout Port]
[Gene doesn't regret joining the Marines - God help him, it's true - but there's no doubt that the Army, Air Force and Navy guys over in Europe have the better deal when it comes to leave. There's no Paris or Rome to liberate in the Pacific, no London to be shipped back to for R&R, just the shitty shacks and tents on Pavuvu, overrun with land crabs and rats and still reeking of rotting coconuts.
So the idea of actually getting to explore the city - especially now that there's no war on, no Nazis running the place or snipers to look out for - is kind of neat, even if Gene's not so sure it's enough to really make up for the ship seeming like it was falling apart. Or the last port.
But he still hits the town - in civvies, probably for the first time since getting on board the ship - and does his best to enjoy himself. He doesn't speak French well enough to really communicate with anyone, but Snafu does, and they're so used to being in each other's company that it just makes sense to team up anyway... even if Snaf nearly gets them kicked out of at least one museum.
Because Gene's that kind of tourist - he gets up as close as people are still allowed to be to the Eiffel Tower and goes to the Arc de Triomphe, visits the Louvre and eats at some of the more modestly priced restaurants, walks along the Seine and finds himself oddly drawn to war memorials and places he recognizes from pictures when the city had fallen to the Nazis.
He can also be found in book shops and staring with mild confusion at the Apple Store. This Paris is very different from the one he imagines his brother had seen. Everyone's on their phones and looks different from what he's used to, and it's not bad, but he feels out of place. He has no idea with how Steve coped with waking up seventy or so years in the future, because even just this is very, very eerie.]
[Gene doesn't regret joining the Marines - God help him, it's true - but there's no doubt that the Army, Air Force and Navy guys over in Europe have the better deal when it comes to leave. There's no Paris or Rome to liberate in the Pacific, no London to be shipped back to for R&R, just the shitty shacks and tents on Pavuvu, overrun with land crabs and rats and still reeking of rotting coconuts.
So the idea of actually getting to explore the city - especially now that there's no war on, no Nazis running the place or snipers to look out for - is kind of neat, even if Gene's not so sure it's enough to really make up for the ship seeming like it was falling apart. Or the last port.
But he still hits the town - in civvies, probably for the first time since getting on board the ship - and does his best to enjoy himself. He doesn't speak French well enough to really communicate with anyone, but Snafu does, and they're so used to being in each other's company that it just makes sense to team up anyway... even if Snaf nearly gets them kicked out of at least one museum.
Because Gene's that kind of tourist - he gets up as close as people are still allowed to be to the Eiffel Tower and goes to the Arc de Triomphe, visits the Louvre and eats at some of the more modestly priced restaurants, walks along the Seine and finds himself oddly drawn to war memorials and places he recognizes from pictures when the city had fallen to the Nazis.
He can also be found in book shops and staring with mild confusion at the Apple Store. This Paris is very different from the one he imagines his brother had seen. Everyone's on their phones and looks different from what he's used to, and it's not bad, but he feels out of place. He has no idea with how Steve coped with waking up seventy or so years in the future, because even just this is very, very eerie.]
no subject
You lost?
no subject
No. [Not really, anyway. He has a vague idea of where he is.] It's just a lot different than the pictures I've seen of Paris.
no subject
no subject
no subject
Wanna go in and look? Or you wanna see my iPad?
no subject
[Yes, he's curious!!]
no subject
[She pulls it out and shows him. Her background is set as a picture of her and Merlin, her dear departed warden.]
See? It's got photos, music, games, a calendar...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
There's still time though.
Anyway, right now, he's hanging around outside the Grande Galerie de l'Évolution, calling out occasionally to passing women and grinning when they get huffy about it, smoking and waiting impatiently for Sledge to be done looking at dead animals.]
no subject
And, knowing his friend is probably bored out of his mind waiting for him to be done in the Grande Galerie, he tries not to take too much longer after Snaf decides he's had enough and needs to get some air. By the time he locates him - and it doesn't take long - he witnesses the tail end of one of those catcalls and the look it receives, which means he's grinning at him with something like exasperation when he catches up with him.]
Anyone try'n slap you while I was gone?
no subject
Couple'a broads looked like they wanted to.
[It's probably good you arrived when you did, Gene.]
no subject
Gene reaches into his pants pocket for his own pack of cigarettes and a lighter.]
Where d'you wanna go now?
no subject
Long as it ain't another fuckin' museum, I ain't that fussy.
[If Gene really wanted to see one, he'd probably go but this is a sign that he will complain endlessly if you try to make him go right now.]
no subject
Eggsy said there's a zoo a couple miles west of here. We could go look at animals that didn't die a hundred years ago.
[But the suggestion's offered open endedly, because if Snafu has other ideas or suggestions, Gene's open to them. He did force you to step foot into a museum, after all.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Hey--
[He turns, the watch it dying on his lips as he sees who it is. He takes a hasty step backwards, then freezes, staring uncomfortably at Gene.]
Oh.
no subject
If it helps, his answering stare is a lot less uncomfortable once they're a comfortable distance from each other.]
Hey.
[Um.]
You alright?
no subject
The upshot is that Mickey is incredibly ill at ease, but his first instinct isn't to lash out again just yet. Instead, he shrugs, looking basically anywhere but at Gene's face.]
Yeah. Yeah. Just-- you know.
[He holds up his phone and makes a click click sound with his tongue, which... may or may not mean photo to a guy who predates him by seventy years.]
no subject
He nods, and while there's a part of him that's still thinking about what happened - and Mickey probably is, too - fortunately they're standing right next to a giant distraction, and Gene... really doesn't care about what happened. Not really. He's got so much other fucked up shit to deal with, some guy trying to get his pants off isn't the worst thing that's ever happened to him.
So he glances over and squints up at the Eiffel Tower for a moment before looking back at Mickey.]
Weird to see it like this. [In person, with half the top missing.]
no subject
He turns to the Tower instead, still grinning strangely, rubbing the back of his neck until it stops feeling quite so warm.]
Yeah.
[He cranes his head back to look up at the broken top.]
Be fun trying to explain this shit back home, huh?
[As opposed to any of the other completely insane shit they've been through -- but he feels like this is a thing anyone could turn on the news and be like, uh, no, it's fine over. No one can prove that giant rabid dogs and demon parasites don't exist that easily.]
no subject
Not even the Nazis fucked it up this bad. [But the Barge comes in, and of course, they apparently take the top off a national icon. Great driving, whoever's at the helm.
(There's a brief moment when he wonders why the Germans hadn't done more to destroy the city. There's still plenty he recognizes from pictures he saw before the war.)]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
He'll come closer if Gene doesn't look like he wants to bolt.]
no subject
no subject
[He admits, on his way over, voice dropping a little lower- bookstores are like libraries, in that the good ones have a hush to them.]
I know it's pointless, but reading future histories of my past, seeing how it all turned out-
no subject
I've been avoidin' all that. I don't wanna know what happens. [He doesn't want to know where K/3/5 is headed next, or what horrible stuff might happen to his buddies after Peleliu. He's read enough war literature to know someone like Ack Ack could be mentioned in a book about Peleliu, and Gene has no interest in finding out who else isn't going home.]
no subject
[He hunts and hunts, but never finds what he's looking for.]
Like we're a half-step out of sync.
no subject
I don't wanna know.
I know specifics about what I'm goin' back to, I'll spend too much time worryin' over stuff I can't change.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)